Difference between revisions of "Template:Chords"
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| − | |align=center| '''[[Seventh chord|Seventh]]''' || [[Major seventh chord|Major]] · [[Minor seventh chord|Minor]] · [[Seventh_chord#Dominant_seventh|Dominant]] · [[Diminished_seventh#Diminished_Seventh_Chord|Diminished]] · [[Half-diminished seventh chord|Half-diminished]] · [[Minor major seventh chord|Minor-major]] · [[Augmented major seventh chord|Augmented major]] · [[ | + | |align=center| '''[[Seventh chord|Seventh]]''' || [[Major seventh chord|Major]] · [[Minor seventh chord|Minor]] · [[Seventh_chord#Dominant_seventh|Dominant]] · [[Diminished_seventh#Diminished_Seventh_Chord|Diminished]] · [[Half-diminished seventh chord|Half-diminished]] · [[Minor major seventh chord|Minor-major]] · [[Augmented major seventh chord|Augmented major]] · [[Augmented minor seventh chord|Augmented minor]] |
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Revision as of 06:12, 11 May 2008
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| By Type | Triad | Major · Minor · Augmented · Diminished · Suspended |
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| Seventh | Major · Minor · Dominant · Diminished · Half-diminished · Minor-major · Augmented major · Augmented minor | |
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| Extended | Ninth · Eleventh · Thirteenth | |
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| Other | Sixth · Augmented sixth · Altered · Added tone · Polychord · Quartal and quintal · Tone cluster · Power | |
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| By Function | Diatonic | Tonic · Dominant · Subdominant · Submediant |
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| Altered | Borrowed · Neapolitan chord · Secondary dominant | |
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| With Names | Elektra chord · Hendrix chord · Mystic chord · Petrushka chord · Tristan chord · So What chord | |