Difference between revisions of "Jump Jim Crow"

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(Created page with "Jump Jim Crow initiated a new form of popular music and theatrical performances in the United States that focused their attention on the mockery of African Americans. == Lyr...")
 
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== Lyrics ==
 
== Lyrics ==
Come, listen all you gals and boys, Ise just from Tuckyhoe;
+
The lyrics as most commonly quoted are:
I'm goin' to sing a little song, My name's Jim Crow.
+
 
 +
''Come, listen all you gals and boys, Ise just from Tuckyhoe;''
 +
 
 +
''I'm goin' to sing a little song, My name's Jim Crow.''
  
 
CHORUS [after every verse]
 
CHORUS [after every verse]
Weel about and turn about and do jis so,
 
Eb'ry time I weel about I jump Jim Crow.
 
  
I went down to the river, I didn't mean to stay;
+
''Weel about and turn about and do jis so,''
But dere I see so many gals, I couldn't get away.
+
 
 +
''Eb'ry time I weel about I jump Jim Crow.''
 +
 
 +
''I went down to the river, I didn't mean to stay;''
 +
 
 +
''But dere I see so many gals, I couldn't get away.''
 +
 
 +
''And arter I been dere awhile, I tought I push my boat;''
 +
 
 +
''But I tumbled in de river, and I find myself afloat.''
 +
 
 +
''I git upon a flat boat, I cotch de Uncle Sam;''
 +
 
 +
''Den I went to see de place where dey kill'd de Pakenham.''
 +
 
 +
''And den I go to Orleans, an, feel so full of flight;''
 +
 
 +
''Dey put me in de calaboose, an, keep me dere all night.''
 +
 
 +
''When I got out I hit a man, his name I now forgot;''
 +
 
 +
''But dere was noting left of him 'cept a little grease spot.''
  
And arter I been dere awhile, I tought I push my boat;
+
''And oder day I hit a man, de man was mighty fat''
But I tumbled in de river, and I find myself afloat.
 
  
I git upon a flat boat, I cotch de Uncle Sam;
+
''I hit so hard I nockt him in to an old cockt hat.''
Den I went to see de place where dey kill'd de Pakenham.
 
  
And den I go to Orleans, an, feel so full of flight;
+
''I whipt my weight in wildcats, I eat an alligator;''
Dey put me in de calaboose, an, keep me dere all night.
 
  
When I got out I hit a man, his name I now forgot;
+
''I drunk de Mississippy up! O! I'm de very creature.''
But dere was noting left of him 'cept a little grease spot.
 
  
And oder day I hit a man, de man was mighty fat
+
''I sit upon a hornet's nest, I dance upon my head;''
I hit so hard I nockt him in to an old cockt hat.
 
  
I whipt my weight in wildcats, I eat an alligator;
+
''I tie a wiper round my neck an, den I go to bed.''
I drunk de Mississippy up! O! I'm de very creature.
 
  
I sit upon a hornet's nest, I dance upon my head;
+
''I kneel to de buzzard, an, I bow to the crow;''
I tie a wiper round my neck an, den I go to bed.
 
  
I kneel to de buzzard, an, I bow to the crow;
+
''An eb'ry time I weel about I jump jis so.''
An eb'ry time I weel about I jump jis so.
 
  
 
== Controversy ==
 
== Controversy ==
 
These words are from the song, "Jim Crow," as it appeared in sheet music written by Thomas Dartmouth "Daddy" Rice. Rice, a struggling "actor" (he did short solo skits between play scenes) at the Park Theater in New York, happened upon a black person singing the above song -- some accounts say it was an old black slave who walked with difficulty, others say it was a ragged black stable boy. Whether modeled on an old man or a young boy we will never know, but we know that in 1828 Rice appeared on stage as "Jim Crow" -- an exaggerated, highly stereotypical black character.
 
These words are from the song, "Jim Crow," as it appeared in sheet music written by Thomas Dartmouth "Daddy" Rice. Rice, a struggling "actor" (he did short solo skits between play scenes) at the Park Theater in New York, happened upon a black person singing the above song -- some accounts say it was an old black slave who walked with difficulty, others say it was a ragged black stable boy. Whether modeled on an old man or a young boy we will never know, but we know that in 1828 Rice appeared on stage as "Jim Crow" -- an exaggerated, highly stereotypical black character.
 
By 1838, the term "Jim Crow" was being used as a collective racial epithet for blacks, not as offensive as nigger, but similar to coon or darkie. The popularity of minstrel shows clearly aided the spread of Jim Crow as a racial slur. This use of the term only lasted half a century. By the end of the 19th century, the words Jim Crow were less likely to be used to derisively describe blacks; instead, the phrase Jim Crow was being used to describe laws and customs which oppressed blacks. <ref>https://www.ferris.edu/htmls/news/jimcrow/who/index.htm</ref>
 
By 1838, the term "Jim Crow" was being used as a collective racial epithet for blacks, not as offensive as nigger, but similar to coon or darkie. The popularity of minstrel shows clearly aided the spread of Jim Crow as a racial slur. This use of the term only lasted half a century. By the end of the 19th century, the words Jim Crow were less likely to be used to derisively describe blacks; instead, the phrase Jim Crow was being used to describe laws and customs which oppressed blacks. <ref>https://www.ferris.edu/htmls/news/jimcrow/who/index.htm</ref>

Revision as of 09:44, 24 January 2021

Jump Jim Crow initiated a new form of popular music and theatrical performances in the United States that focused their attention on the mockery of African Americans.

Lyrics

The lyrics as most commonly quoted are:

Come, listen all you gals and boys, Ise just from Tuckyhoe;

I'm goin' to sing a little song, My name's Jim Crow.

CHORUS [after every verse]

Weel about and turn about and do jis so,

Eb'ry time I weel about I jump Jim Crow.

I went down to the river, I didn't mean to stay;

But dere I see so many gals, I couldn't get away.

And arter I been dere awhile, I tought I push my boat;

But I tumbled in de river, and I find myself afloat.

I git upon a flat boat, I cotch de Uncle Sam;

Den I went to see de place where dey kill'd de Pakenham.

And den I go to Orleans, an, feel so full of flight;

Dey put me in de calaboose, an, keep me dere all night.

When I got out I hit a man, his name I now forgot;

But dere was noting left of him 'cept a little grease spot.

And oder day I hit a man, de man was mighty fat

I hit so hard I nockt him in to an old cockt hat.

I whipt my weight in wildcats, I eat an alligator;

I drunk de Mississippy up! O! I'm de very creature.

I sit upon a hornet's nest, I dance upon my head;

I tie a wiper round my neck an, den I go to bed.

I kneel to de buzzard, an, I bow to the crow;

An eb'ry time I weel about I jump jis so.

Controversy

These words are from the song, "Jim Crow," as it appeared in sheet music written by Thomas Dartmouth "Daddy" Rice. Rice, a struggling "actor" (he did short solo skits between play scenes) at the Park Theater in New York, happened upon a black person singing the above song -- some accounts say it was an old black slave who walked with difficulty, others say it was a ragged black stable boy. Whether modeled on an old man or a young boy we will never know, but we know that in 1828 Rice appeared on stage as "Jim Crow" -- an exaggerated, highly stereotypical black character.

By 1838, the term "Jim Crow" was being used as a collective racial epithet for blacks, not as offensive as nigger, but similar to coon or darkie. The popularity of minstrel shows clearly aided the spread of Jim Crow as a racial slur. This use of the term only lasted half a century. By the end of the 19th century, the words Jim Crow were less likely to be used to derisively describe blacks; instead, the phrase Jim Crow was being used to describe laws and customs which oppressed blacks. [1]